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More Great Information on Wedding Filter:
Construction of a color negative film by detroit
Shown is the schematic structure of a color negative film (Three layer Color Film). Schematically, therefore, as it ever come to producers and film layers can be added, which in most cases in the commercial brands brand is now the case. The vast number of movies produced today are available for each color (blue, green, red) one layer of high, low and mostly moderate sensitivity to light. Between blue-sensitive layer and the green-sensitive layer is also basically a yellow filter layer, the blue light is to hold back. This is necessary because the green-and red-sensitive layers made not only for green and red, but like all photographic films and are sensitive to blue light. Often there is the red-sensitive layer even a slight Rotfilterschicht to achieve a more accurate Rotsensibilisierung and thus cause a more pure blue and green reproduction.
The layers correspond to fully developed state is not their color, for which they are made sensitive, but its complement. The blue-sensitive layer that is formed from the Yellow Color is not blue, as it would suggest the above figure, the green-sensitive dye the purple and red sensitive to blue-green.
The company, Fujifilm has added another layer of her films, she will protect the color cast from fluorescent tubes.
Color negative films also contain normally a yellow to brownish red color mask to the color fidelity of the colors to compensate for deteriorating secondary densities. Besides densities arise because there is no ideal Empfindlichmachung for certain amount of color (blue, green, red) and ideal colors (yellow, purple, blue, green), but this would be necessary for a fully correct color rendition. With color reversal films lack this mask because it would interfere with their colors in the projection.
History of the ink film in the Film Production
The first color films one frame at a hand-painted with up to six colors and have been known since 1896. In 1905, Path Frres the template procedure to facilitate the colorimetric work, a method in which each film in the series after the paint color for Schabloniermaschine went through. On 26 February 1909 was Charles Urban the first with the KinemacolorTechnique applied film premiered at the Palace Theatre in England. This two-color method in 1906 by George Albert Smith been invented. Here are the pictures taken alternately by two different color filters and then projected.
The three-color process
In the year 1912 by Lon Gaumont developed the first practical three-color process. With his camera he was using three primary colors filter tinted windows on black and white film three quite small and therefore blurred color separations, which were projected during the presentation by three equally colored filters. However, continued his films, in spite of the successful presentation to the French Photographic Society in 1913 and not shown in New York films set to music, commercial. The procedure disappeared around 1920, although previously it was always new films.
In 1915, the American physicists Herbert Thomas Kalmus (1881-1963), D. F. Comstock and W. B. Westcott, the Technicolor Motion Picture Corporation established, from which emerged in 1922, Technicolor Incorporated. This so-called Technicolor process were - after a no practical significance next stage - at the same time two colors - green (as a mixture of primary colors blue and yellow) and red simultaneously recorded by a color filter on black and white film, the positives later dyed and glued together so precisely that the films with normal Projectors could be reproduced. However, here, at first only two colors were used, the reproduction of pure blues and yellows was therefore not possible. The first film that used this technique was in 1922 The Gulf Between. Finally, they used the two color separations on which to develop through the different degrees of leaching of silver salts results in a weak relief, as depth artwork and printed positives with paint on blank film (hence hot film positives in American today prints), which opened the way to construct a new Technicolor camera, which also three color separations in blue, yellow and red recorded. The first full-length feature film, with the Technicolor process, all three Primary colors used, was Becky Sharp of Rouben Mamoulian from the year 1935. The breakthrough for color film did not come until 1937 with Disney Cartoon Snow White and the Seven Dwarfs. This was followed by successful films as well Robin Hood, King of the Vagabonds (1938, with Errol Flynn), The Wizard of Oz (1939, with Judy Garland) And the 1939 Best Picture Oscar-winning film Gone With The Wind (1939, with Clark Gable and Vivien Leigh).
The Ufa introduced as the first color film a movie called animal Abundant wildlife 1931 in the cinemas and used the two-color process Ufacolor. The Gasparcolor Jrgen Clausen was the first Production Company, Which produced three-color process to Gaspar color films, mostly commercials, but in 1933 the movie characters A Night on Bald Mountain of Alexandre Alexeieff. In 1936 a short film was titled The beauty spotIn which one of the companies Siemens and Perutz developed Lenticular named Opticolor was used.
The procedure, which finally prevailed at the Ufa was that of Gustav Wilmanns and William Schneider developed Agfacolor process. Agfacolor was a three-color process, which required only a single negative, and thus easier to work than the American Technicolor process. However, the colors were weaker and were subject to major fluctuations. The first films to be in Agfacolor were produced, the culture films "Colorful Kriechtierwelt" and "Thuringia" (both 1940) were. By war's end was followed by nine feature films: "Women are Better Diplomatsâ (1941), âThe Golden Cityâ (1942), âThe bath on the Tenneâ (1943), âImmenseeâ (1943), âMunchausenâ (1943), âThe woman of my dreamsâ (1944), âGreat Freedom No. 7â (1944), âSacrifice"(1944) and"Kolbergâ (1945).
German film were amateurs since 1936/37, the color reversal films from Agfa and Kodak in the 16-mm (8 mm later) format. It was the superior color Kodachrome film preferred. Adolf Hitler avid movie lover and later wife Eva Braun, A trained and later at Hitler's personal photographer Heinrich Hoffmann employed Photo lab technician, Also used as early as the 1938 Kodachrome-Cine. The main distribution of color film material, however, began only in the postwar period. The first West German postwar cinema film was colored SchwarzwaldmdelHis East German counterpart The Cold Heart.
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Article Source: http://www.earticlesonline.com/Article/Construction-of-a-color-negative-film/1234379
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