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Professional HD Video Camera: What You Should Look for in One by Antoine Lindz

A professional HD video camera is one of the major tool of the trade that filmmakers - professional or amateur - should not do without. There are several video cameras in the industry that are specially designed for your needs. However, although there are so many high definition camcorders in the market that are available only a few are noteworthy. These are the:

- Canon XH-A1 HDV Camcorder, - Sony HDR-FX7 Camcorder, - JVC GYHD110U MiniDV Camcorder, and; - Panasonic AG-HVX200.

The Canon XH-A1 HDV Camcorder

This is the younger and smaller version of the Canon XLH1DV. It also performs much like its big brother, the Canon XLH1DV. It has a low light performance which is a good feature for a professional HD video camera. However, being small has its drawbacks. It has no lens interchangeability unlike the bigger version. Customers are somewhat skeptical with the 30F and 24F frame rates too but some are finding it easy to adjust to. It also has a bad eyecup design and is quite heavy for a video camera. Nevertheless, this is still good for ENGs, budget documentarians, student filmmakers.

The Sony HDR-FX7 Camcorder

The Sony's consumer camcorder is the FX7. It has a clear VID CMOS sensors which make a fantastic impression in bright light. Under low light conditions, the performance disappointingly falls to pieces. It can however, omit XLR inputs and external audio level controls.

The JVC GYHD110U MiniDV Camcorder

The size and lens interchangeability is almost the same with the Canon XH-A1 HDV. It has a standard Fujinon 16x ProHD Lens. It comes with true progressive video at 720p but it doesn't offer interlaced video recording options. The resolution is close to XH A1's resolution. If you are the type of shooter who prefers larger camcorders and lens flexibility, buy a JVC GYHD110U.

Panasonic AG-HVX200

This camcorder uses the proprietary P2 tapeless recording system. It is able to record DVCPRO video DV tapes, but can only be recorded using Panasonic's solid state P2 memory cards or an external DTE drive like non-tape media. By using the P2 Cards, you can record non-stop and reduce the tape transfer time because of the camcorders 2 swappable P2 slots. The camcorder relies on pixel shifting to raise the resolution of its 3 1/3 " CCDs from 500k gross pixel count to a high definition resolution.

Each professional HD video camera mentioned above has its own unique properties that cater to different filmmakers needs. The decision is yours to make. It is up to the aspiring filmmaker to decide which camera will cater to his or her needs more. Is the camera worth the price? That is for the filmmaker to judge.

Select the best professional HD video camera that suits you needs. Learn more HD video camera info online.

Article Source: http://www.earticlesonline.com/Article/Professional-HD-Video-Camera--What-You-Should-Look-for-in-One/301562

Can the Sony HDR-SR11 hard drive camcorder be connected to Apple Mac?

Can the Sony HDR-SR11 hard drive camcorder be connected to Apple Mac?

Yes.

Using USB, the camcorder's hard drive should mount like any other external USB device. Copy the video files to the Mac's hard drive.

You will need either the most current version of iMovie HD (the one that came bundled with iLife08, with the 7.1 update) or the most current version of FinalCut Express 4 or FinalCut Pro 2. Earlier versions of iMovie HD and Final Cut can't deal with AVCHD.

The Apple discussions area can be quite useful:

http://discussions.apple.com/search.jspa?search=Go&q=HDR-SR11

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